So editors that don’t want their editing programs to be super slow when exporting and rendering footage with effects will want to stick to the faster (though more expensive) 7200 RPM hard drives. Most consumer hard drives have a rotational speed rated at 5400 RPM which isn’t particularly fast when you’re editing large video files. Both the speed of the drive itself and the speed of the interface with which it’s connected to their computer. Everyone looks at price and storage capacity when they’re comparing external hard drives but video editors need to have an additional factor in mind when they’re choosing which hard drive to buy. Chris Breen replies with a firm 'Nah.'Not every hard drive is created equal.You will be interested in the Best External Raid Enclosures in 2021. The 14 Best External Raid Enclosures on the market are researched and tested by our prime experts to help you make the best choice. Package Contents: Desktop RAID storage WD Discovery software for WD Backup, WD Security and WD Drive Utilities USB-C to USB-C cable USB-C to USB-A cable AC adapter Disk replacement tool Quick.If you have a PC, USB 3 is probably going to be your best option. After that comes Firewire 800, a mostly Mac interface that was about twice as fast as USB 2.0.Today if you’re going to be editing video on a Mac we’d recommend getting an external hard drive that uses Thunderbolt to connect to your computer. Closely behind is USB 3 which is pretty ubiquitous these days and is far faster than its USB 2.0 predecessor. The next fastest available is eSATA which is a somewhat obscure format that is available on a few Windows PCs but never really gained much ground (and never made it to the Mac).Like its older predecessor Firewire, Thunderbolt is a daisy-chainable system, meaning that you can string together multiple hard drives and connect them all to your computer using a single Thunderbolt port. This is a desktop class external hard drive for video editing, meaning it isn’t bus-powered (you’ll need to plug it into the wall for power in addition to plugging it into your computer).One nice advantage of this external hard drive for video editors is that it has two Thunderbolt ports. We have no qualms about recommending the LaCie d2 Thunderbolt + USB C hard drive to video editors whether they’re editing 4K video or just regular old HD video. LaCie makes a range of speedy 7200RPM hard drives that use Thunderbolt and USB 3.1 (USB C) both to connect to your computer.
![]() So you’ll want to also have your footage backed up on a different system– perhaps a cheap but large external hard drive (consider something like this). Keep in mind though that for editors, even though some RAID systems might duplicate your files for performance reasons, RAID is not a backup. This can make the difference between unbearable sluggishness and silky smooth video playback when you’re editing 4K video. Because your computer can only read data off of a hard drive so fast, splitting a single file across two hard drives can mean your computer can read data twice as quickly. WD also sells smaller RAID arrays with less capacity and a bigger brother 16TB version for a bit more.Check Price on Amazon Frequently Asked Questions About External Hard Drives for Video EditingIs a USB 3.0 External Drive Fast Enough for Full HD Editing?There are several factors that influence the speed of an external hard drive. And you can connect it via either Thunderbolt ports (of which it sports two for daisy chaining purposes), or USB 3.0 ports.It even sports two front-facing USB 3.0 ports so you can even hook up additional peripherals like other hard drives or a USB 3.0 memory card reader. This RAID array has two 6TB hard drives meaning its total capacity is 12TB of lightning fast storage. What is the top stock traiding software for macBacking up your external editing hard drives is extremely important, and failing to do so can be a costly mistake.We recommend purchasing hard drives and RAID systems for editing in sets of two: if you buy one 2TB hard drive to store your footage on, buy a second 2TB hard drive to store a complete backup of your footage as well. So if a hard drive contains footage that cost you $10,000 to shoot in the first place, think about the value of the hard drive as being $10,000 or more, not just the couple of hundred dollars that the hard drive cost you. If they’re solid state drives (SSDs), they’ll almost certainly be fast enough for 4K media as well.What are the best backup procedures for external hard drives?For video editors, even though an external hard drive might cost only a few hundred dollars, its true value is the amount of money which it would cost to re-create the footage that’s stored upon it. Generally speaking, USB 3.0 hard drives are usually fast enough to edit 1080p HD video. Whether it’s a slow 5400 RPM hard drive, a faster 7200 RPM hard drive or an even faster solid state drive). The speed of the storage is another (i.e. Best External Raid Professional Ports UsedThis is fast enough that the bottleneck is a spinning drive (hard drive). Extremely common and cheaply available on laptops and desktops today, both Macs & PCs.Relatively common both on external hard drives & RAID systems as well as computers, USB 3 uses the same physical port as USB 2.0 so it’s backwards compatible though it’s capable of achieving a much faster transfer speed of 625 megabytes per second. Enough to simultaneously edit about two streams of HD video, depending on what codec you’re using. Here are some of the most common professional ports used by external hard drives for editing video: USB 2.0An older port connection limited to about 60 megabytes per second. For large projects, we recommend copying your project file and renaming it with the file date before each editing session, so you have a folder with all your old project files from previous days’ editing sessions backed up just in case you ever need to access them– either because you accidentally deleted an important sequence/timeline from last week, or because the project file got corrupted and is no longer usable.What is the best peripheral interface to connect an external hard drive using?Right now the computer industry is slowly shifting port types as part of these transitions that seem to happen every few years. In cases where your editing system also stores render files, keeping these up to date across hard drives is generally less essential since if data loss on one hard drive occurs, you may have to re-render in your NLE no matter what.Be sure to also back up your editing project file, be it a Final Cut Pro file, an Adobe Premiere Pro file, an Avid Media Composer file, Sony Vegas file or other project file type. If you’re going to be using Macs at all as part of your post-production workflow though, skip eSATA or at least choose a drive that has a Mac-friendly port in addition to eSATA. Browse USB C hard drives here.Some PCs have eSATA cards which allow you to use this standard which can read up to 750 MB/sec. For those that don’t have USB C ports, USB A to C adapters cables will often work. Plus, because it’s reversible you don’t have to fiddle with plugging it in the wrong way at first– something everyone has experienced countless times with regular old USB Type A. It combines high speeds (3.0 or USB 3.1) with a slim port size which means it can be integrated into thinner laptops and other devices. Users editing video on an iMac or Macbook Pro (2012-mid 2016) will find that Thunderbolt is the fastest port they have on their computers.Thunderbolt 3 uses the USB Type C port found on late 2/2019 Macbook Pros as well as a small number of PCs (though this number is expected to grow). To truly take advantage of Thunderbolt’s speeds, consider a fast SSD or RAID system. It’s speedy: Thunderbolt 2 can read up to 2500 megabytes per second, more than enough to do a multicam edit of several streams of HD video or even multiple streams of 2K or 4K video (depending on the video codec being used).
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